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P a r t i c i p a t i o n |
OP, the Cyclops
by Vassilis Zidianakis
“Bulls Eye Special, 2008”
Exhibition
21_21 DESIGN SIGHT
+ Corporate Partners
26.01 - 16.03 2008
Tokyo, Japan |
ATOPOS has been invited
to participate in the Bulls Eye
Special, 2008 exhibition, at the 21_21 DESIGN SIGHT of
the Miyake Issey Foundation in Tokyo. This first exhibition
for 2008 has been conceived and developed by 21_21
DESIGN SIGHT and its Corporate Partners; it is based upon
the concept of eyesight and vision. According to the organizers,
"Discerning taste and a superlative eye are essential
components for successful design; they are the
‘eye’ through which 21_21 hopes to offer new perspectives."
Eleven artists and designers are participating in Bulls Eye
Special, 2008 – among them Katsuhiko Hibino and Tokujin
Yoshioka from Japan, Tony Oursler and Tim Hawkinson from the US, Francis Giacobetti from France, and
James Auger from the UK. The exhibition is curated
and directed by Midori Kitamura, Katsuhiko
Hibino and Kazumi Oguro. Vassilis Zidianakis has created Op,
the Cyclops; a free rendition
of a giant one-eyed
doll that wards off evil. Op
the cyclops appears on a
screen using SEIREN‘s
original printing technology,
Viscotecs. The doll’s name, Op, is inspired
by the ancient Greek pre-fix οπ, as in optic,
op-art etc. This protector from evil has been specially designed
for the exhibition; he is a character-talisman and his mission is to protect 21_21 DESIGN
SIGHT and the exhibition space from evil.
The identity of Op the CyclopsName: Op Species: Cyclops Profession: Evil Eye Warrior Body type:
giant Sex: a gentleman of course Vice:
voyeurism Hobbies: bird watching,
darts, he also has a large collection of
rare telescopes Personality: he looks
fierce but he would not hurt a fly, his
best friend is Humpty Dumpty, he
only eats pop corn, he loves Op Art
and enjoys karaoke Inspiration: self
portrait
The eye does not see
itself. It looks outwards.
The Greeks’ existential
perception of themselves
did not result from introspection, but from how
they saw themselves reflected back in the eyes of others.
The word πρόσωπο, denoting both person and personality, literally means before the other’s eye.
In Homer, seeing is described as an arrow of fire – one of
the primal elements – shot from the eye, like a ray of sun.
The word describing this capacity, δέρκομαι gives
rise to the word dragon and the image of deadly
flames darting from its eyes.
Could the very idea of the evil eye derive from this lethal
association of sight with fire? For many cultures the eye is
where the human soul – a force for evil – resides. The
Greek word for the evil eye connoted calumny, envy, accusation,
evil.
The element of water is also evoked, however, since
sight is the product of reflection and the eye a
liquid mirror. Those susceptible to the evil eye are
happy, beautiful, admirable, perfect. Constant protection
form the evil eye is therefore necessary,
constituting a source of inspiration in designing objects
deterring the evil eye from time immemorial. The
most popular of these talismans are
the blue eye like beads found all over the Mediterranean
which act like liquid mirrors deflecting the evil eye.
Πρόσωπο (prossopo) : the human figure, the face, person, personality,hypostasis.
Δέρκομαι (derkome) : dart a look. In ancient greek drakos means: eye, look.
Blue eyes text by Vassilis Zidianakis
Workshop for children
"Look me in the eye –
I am Op the Cyclops"
Instructor: Vassilis Zidianakis (Language: French & Japanese)
Date: January 27 (SUN) 14:00-15:00
Venue: 21_21 DESIGN SIGHT
Intended for children from 6 to 12 years old
Could the very idea of the evil eye derive from this lethal
association of sight with fire? For many cultures the eye is
where the human soul – a force for evil – resides. The
Greek word for the evil eye connoted calumny, envy, accusation,
evil.
The element of water is also evoked, however, since
sight is the product of reflection and the eye a
liquid mirror. Those susceptible to the evil eye are
happy, beautiful, admirable, perfect. Constant protection
form the evil eye is therefore necessary,
constituting a source of inspiration in designing objects
deterring the evil eye from time immemorial.
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